Così fan tutte at the Metropolitan Opera

“Yu’s voice is almost everything the part needs. It’s gained a lot in terms of volume and presence, and the voice itself is lovelier than ever: creamy and full in the upper and middle registers… Her voice doesn’t disappear during parts of “Come scoglio” or “Per pieta.” Her singing has a cleanness and joy that sounds so right in Mozart. Nice trill too.”

Poison Ivy on Parterre